This post first appeared in the November issue of The Piano Bench Magazine.
A few posts ago, I talked about how to identify and isolate a melody line, and I’d like to now expand a little bit on that by talking about how to then bring out that melody line once you’ve found it, something I only very briefly touched on.
A Basic Chord Exercise
To recap on what I said about learning to accent different fingers when the whole hand is playing different notes, I mentioned an exercise from Heinrich Neuhaus’ “The Art of Piano Playing”: